Due to the proliferation of comment spam, I’ve had to close comments on this entry. If you would like to leave comment, please use one of my recent entries. Thank you and sorry for any inconvience caused.

May 26, 2005

From the Bardo

IMG_8494_a_321.jpg

View larger image


A couple of weeks ago, I received a posthumous surprize in the mail. My mother's last creation here on earth. Her project was sponsored by the National Endowment for the Arts, Florida Arts and the University of South Florida, Impressive. It was her first (and last) grant.

According to the frontispiece of the publication, "'Timeslips', an innovative project developed in 1998 by Dr. Anne Basting , uses an effective storytelling method with people with dementia to reaffirm their humanity and connection with staff, family and friends...without the frustration or embarassment that can come with memory loss. Responses are woven together to create a story...Understanding some of the work is like looking at an expressionistic (sic) painting; ... give it your own meaning; the participants did."

Unfamiliar images, like a man riding an ostrich, are used to prompt creative verbal responses.

Here are the responses my mother's creative cohort made to an image of the man riding an ostrich. It is entitled:

"Turkeys Have Pretty Legs"

"Turkeys have pretty legs. It's not doing any good", says Jack, "a man."
Lois: "Henry is riding a turkey. He can't ride. He is messing around and enjoys it"
Jack, wearing his brimmed straw hat, laughs uncontrollably. "That is right." he says.
"It is Thanksgiving." adds June. "On a Thursday out in the woods -- don't you know where they are going? Turkey is concerned because it is almost time for turkey -- somebody's turkey dinner."
As Lois says "turkey" , Sumner gives the turkey a name -- Susan. "Making him feel badly and he doesn't know why."
Lois points at Henry and says " He is wearing a gray shirt. Men don't usually ride on turkeys."
Cutting in, Marian adds, "too disturbing, looks uncomfortable."
In the background, but loud enough to be heard, Lois quietly says, " I did not know turkeys had such pretty legs."
Marian, in a louder voice, "Women are terribly concerned about that."

In my opinion, this is, perhaps, their finest piece.

One more. This is a group response to the image of a man sitting at a grand piano entitled:

"Lazy Man Sits at the Piano"

"Playing the piano - the works of musicians. There isn't anything funny about lack of harmony. Nice, it stands you there -- very peculiar. Yeah. Playing quack, quack. You've got a very confused person there. It can be serious. Quack, quack. They might just turn it over. Who is the man? That, I wouldn't know... he hasn't been around our place before. A pianist. It's showing. Sun today. He's going to play the piano. It can be good or bad. Good. Sweet. He's turning in his books. That's a good guess -- music books. It's a matter of time."

There are many more pieces which I would be pleased to share with anyone who is interested. You can see where my gift for poetry originates.

Elmer Green, the father of biofeedback, wrote a fascinating book about his experience with his wife, Alyce's, seven years with Alzheimer's. I think he is a theosophist, although he never mentions it directly. His belief is that Alzheimer's is the phenomenon that takes place as the Alzperson is making the transition between the physical world and the "the Bardo". He listened very carefully to Alyce's expressions during this time, though they were often unfathomable or jibberish. Sometimes he was certain that he was hearing about her experiences in the Bardo, which she was trying to communicate to him.

A while ago I received an email from a woman whose mother had been a court illustrator (and her father, a psychiatrist) in response to my entries about Elmer Green and his book on the subject The Ozawkie Book of the Dead . Her mother, an Alzheimer's patient in a Los Angeles nursing home, with an excellent program for artistic expression, drew the same woman's face over and over. No one in the family was able to recognize the face.

Photo note: Two of the authors of "Timeslips", communing

Posted by Dakota at May 26, 2005 01:55 PM
Comments

This is a very poignant entry... have you ever read any of Oliver Sacks' works? Not necessarily about Alzheimer's, but many cases of perception & expression that change because of some physical problem. One is "The Man Who Mistook His Wife for a Hat."
It does bring closer to home that all our perceptions are waking dreams.
The poetry you shared also brought to mind the poetic or visual collaboration called an "Exquisite Corpse" -- the first person writes a line of poetry (or draws a head) and then the next person (without being able to see the writing or head) continues, and then finally someone finishes. And when the paper is unfolded... an Exquisite Corpse. I believe the game was begun by the Surrealists:
http://exquisitecorpse.com/
http:/anexquisitecorpse.net/
Anyway, the people chronicled in your post seem to be collaborating in a similar way... theoretically they are all looking at the same thing, but each is telling a different story... yet somehow we, the audience, manage to link them into a poetic whole.
thanks as always,
d

Posted by: desmene at May 29, 2005 04:44 PM

Hi Desmene -

You aren't the first to associate "Timeslips" to the parlor game. I didn't realize that it was called "Exquistite Corpse", or that is was a Surrealist invention. Probably the "Timeslips" folks had some hesitancy about calling a spade a spade.

It's so interesting that my powder room, as mother would say, has a substantial pile of "Exquisite Corpses" in the corner. They are Andrei Codrescu's long, skinny "journal of books and ideas". Haven't subscribed in awhile, but always found them offbeat and fascinating. Now I know where the name of his publication originated, probably twenty years after everyone else.

As always, grateful for your rich contributions D

Posted by: Dakota at June 1, 2005 06:50 AM

I love this post and the picture, Dako. Was one of those ladies your mother?
See you when I get back from Paris.

Posted by: Natalie at June 1, 2005 02:31 PM

My mother is on the left, next to her is her best friend of that era, Lois. My mother would not approve of this picture, since she isn't wearing makeup, which she did (as does Lois) well into her 90's.

Lois was full of joie de vivre, and her spirit shone through even when her conversation made little sense. Mother and Lois would visit often, repeating the same three lines to one another with great animation.

Posted by: Dako at June 2, 2005 07:55 AM

You can see the loving friendship beween them, it is very moving. I wonder what three lines they repeated to each other. Very Samuel Beckett isn't it?

Posted by: Natalie at June 2, 2005 01:50 PM

Usually it would be some fragment from reality, like "In January, I'll be 94" "Yes, you'll be 94 in January and I'm 94 too" -- one of them would look for fact confirmation to someone on the staff or to me, if I was there. "She'll be 94, won't she?" Lois owned a clothing store in her heyday, and so the fragments would often concern wardrobe selection, always complimentary of course.

Posted by: Dakota at June 2, 2005 02:01 PM

how moving. don't know if it's just cuz I'm premenstral but I was touched by the playfulness and love that was there in the photo and the respones.

Posted by: Deirdre at June 6, 2005 09:13 PM